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Log in through your institution. Go to Table of Contents. Abstract This paper focuses on how the Tyler, Texas Black Film Collection developed as an archival collection, and what this teaches us about contemporary constructions of film history and African American history. More specifically, it describes the appeals and dangers of framing these films within a lost-then-found narrative template, in which their acquisition by an archive is imagined to provide a satisfying sense of closure.
Film History publishes original research on the international history of cinema, broadly and inclusively understood. Its areas of interest are the production, distribution, exhibition, and reception of films deed for commercial theaters as well as the full range of nontheatrical, noncommercial uses of motion pictures; the role of cinema as a contested cultural phenomenon; the technological, economic, political, and legal aspects of film history; the circulation of film within and across national borders; and the relations between film and other visual media and forms of commercial entertainment.
Indiana University Press was founded in and is today recognized internationally as a leading academic publisher specializing in the humanities and social sciences.
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As an academic press, our mandate is to serve the world of scholarship and culture as a professional, not-for-profit publisher. We publish books and journals that will matter 20 or even a hundred years from now — titles that make a difference today and will live on into the future through their reverberations in the minds of teachers and writers.
IU Press's major subject areas include African, African American, Asian, cultural, Jewish and Holocaust, Middle East, Russian and East European, and women's and gender studies; anthropology, film, history, bioethics, music, paleontology, philanthropy, philosophy, and religion. The Press also features an extensive regional publishing program under its Quarry Books imprint.
It is one of the largest public university presses, as measured by titles and income level. Cite this Item. Read and download Log in through your school or library.
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Ability to save and export citations. Custom alerts when new content is added. Abstract Abstract This paper focuses on how the Tyler, Texas Black Film Collection developed as an archival collection, and what this teaches us about contemporary constructions of film history and African American history. Journal Information Film History publishes original research on the international history of cinema, broadly and inclusively understood.
Publisher Information Indiana University Press was founded in and is today recognized internationally as a leading academic publisher specializing in the humanities and social sciences.
